Dark and sometimes bleak, this novella was written with Gabriel Josipovici’s criticism of ‘run of the mill middle-brow narrative’ in mind, yet also seeks to avoid what the American critic Robert Boyers has called the ‘delinquencies and self-indulgences that compromised modernism from within.’

Stuff is sensitive, evocative and touching … it leads the reader to a brink’ – Alison Moore

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